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Vol. 24 No. 2 (2024)
View Vol. 24 No. 2 (2024)

This issue features several articles on different aspects of Brazilian musical culture, addressing topics such as capoeira, samba, carnival, the culture of cocos, and bumba meu boi. This section is complemented by an analysis of fan clubs' projecting the popularity of an artist.
The second section consists of four texts focused on composition. Two of the articles reflect on the practice of contemporary creation. Next, two other texts promote a musicological approach to the field. The first addresses the issue of rhetoric and theology in Bach's music, while the second puts Villa-Lobos's production into perspective. Closing this issue, we have an intriguing interview with Aylton Escobar, one of his generation's most creative Brazilian musicians. 

Published: 2024-12-16

Full Issue

Apresentação

  • Apresentação

    Fernando Iazzetta
    i
    DOI: https://doi.org/10.11606/issn.2238-7625.rm.2024.233035

Articles

  • Resonances of the crossroads: Lorenzo Dow Turner and the Capoeira Angola Group Estrela do Norte

    Caio de Souza
    01-22
    DOI: https://doi.org/10.11606/rm.v24i2.230246

  • Sociopolitical contextualization of Cocos: past, present and future

    Ísis Arrais Padilha, Renata Pompêo do Amaral, Sayonara Sousa Pereira
    23-34
    DOI: https://doi.org/10.11606/rm.v24i2.230602

  • “Abre a roda minha gente, que o batuque é diferente”: A comparative analysis of the song lyrics of “Tiririca” in the versions by Geraldo Filme and Mestre Ananias

    Sofia Chiavacci
    35-77
    DOI: https://doi.org/10.11606/rm.v24i2.230629

  • Maestro Duda and his relationship with tradicional Maranhão music

    Daniel Moraes Cavalcante, Paulo Adriano Ronqui
    79-103
    DOI: https://doi.org/10.11606/rm.v24i2.230494

  • Algorithmic Intervention: data fandom tactics in Juliette fan clubs

    Letícia Prior Breda, Alê Teixeira Primo, Vanessa Amália Dalpizol Valiati
    105-126
    DOI: https://doi.org/10.11606/rm.v24i2.230536

  • Carnival Continuities: some associations and their confluences

    Thiago de Souza Borges
    127-146
    DOI: https://doi.org/10.11606/rm.v24i2.227727

  • Composition and re-enchantment of the world

    Luiz Eduardo Gonçalves, Lucas Gabriel Costa
    147-165
    DOI: https://doi.org/10.11606/rm.v24i2.224964

  • For a Sound Sketch: The Study as a Poetic Genre of Musical Performance

    William Teixeira, Lucas Mateus Silva
    167-186
    DOI: https://doi.org/10.11606/rm.v24i2.227937

  • BWV 245 – Johannes-Passion: setting the Passion of Christ to music

    Odilon Duffeck, Marcelo Ramos Saldanha, Fernando Batista de Campos
    187-204
    DOI: https://doi.org/10.11606/rm.v24i2.227836

  • Villa-Lobos’s Nonetto (1923): a savage’s music?

    Etienne Kippelen
    205-218
    DOI: https://doi.org/10.11606/rm.v24i2.230972

Entrevista

  • Conducting pedagogues: a dialogue with Maestro Aylton Escobar, act IV

    Erickinson Lima, André Oliveira
    219-243
    DOI: https://doi.org/10.11606/rm.v24i2.226194
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